Left: Chanel, ca. 1930, Reconfigured Chinese robe of embroidered silk gauze |
In the center of the room, clips from Betrolucci's The Last Emperor were projected on parallel walls, paired with a looping cut from the soundtrack, "Open the Door" by Ryuichi Sakamoto.
Chinese Mantle, ca. 1917-20, Embroidered silk satin with applique of rooster feathers and silk flowers |
Tom Ford for Yves Saint Laurent, fall/winter 2004/5, Printed silk chiffon with silk chiffon applique, silk velvet ribbon, mink |
Tom Ford for Yves Saint Laurent, fall/winter 2004/5, Silk satin embroidered with sequins, fox fur |
Dries Van Noten, autumn/winter 2012/13, Wool/silk hammered satin and wool twill
Center: Chinese Festival Robe, late 19th century, Silk and metallic tapestry
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Sketches:
Dries Van Noten, autumn/winter 2012/13, Wool/silk hammered satin and wool twill
John Galliano for Dior, autumn/winter 1998/99, Embroidered silk jacquard (front and back)
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John Galliano for Dior, autumn/winter 1998/99, Embroidered silk jacquard |
Right: no information, not in catalogue
Left: Tom Ford for Yves Saint Laurent, autumn/winter 2004/5, Silk satin embroidered with sequins
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Note: I relied on the exhibition catalogue China: Through the Looking Glass and The Met's website for information, especially the details about the garments. Selected images from the catalogue can be viewed on The Met's Pinterest board.